Ice Skating and Character Arcs

Sometimes in the sturm und drang of the internet, something flutters to the surface of the cesspit, untarnished and beautiful. Something like Jonathan Van Ness’ progress videos as he learns to ice skate. via GIPHY Jonathan is a charming fifth of the cast on Netflix’s “Queer Eye” and host of the podcast “Getting Curious.” While he is an expert in many things, he is bravely … Continue reading Ice Skating and Character Arcs

How to Fix “The Last Jedi”

Star Wars is one of the mega-dynasties of filmmaking, and everyone has an opinion. Today you guys get to hear MINE.

Since this is a space to talk storytelling, I want to momentarily set aside things like aesthetics, sound design, and performance to instead focus on comparing The Last Jedi and The Empire Strikes Back.

The stories are similar. In Empire: heroes Han, Leia, and Luke are being tracked and harassed by The Empire. In The Last Jedi : Our heroes Rey, Poe, and Finn are being tracked and harassed by The First Order. Both are the second installment in trilogies, both are set in the Star Wars Universe, and yet one is a beloved cinematic classic and the other I found really disappointing. Why? Continue reading “How to Fix “The Last Jedi””

How to Plot Character Choice and Change

Change. The tempting goal we strive for every day. I’m sure you can think of five things you would like to change about your life off the top of your head. (I know I can.) You may even be making steps toward those goals by changing how you eat, spend your money, and vote. But change is HARD.

That is why I love stories.

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Gender, Pronouns, and Storytelling

One of the many perks of having a child is that I have the opportunity to read a lot of children’s books. I have a great collection. Some are old classics lovingly saved by my parents, some are new gifts from friends and family. I love being able to look again at books I remember being read as a child, as well as reading the … Continue reading Gender, Pronouns, and Storytelling

You Can’t Bullshit an Ending

Human’s are natural storytellers, and as such, we can sniff out a bullshit ending a mile away.

At a lecture this weekend, Benjamin Gorman (Not A Pipe Publishing) spoke about the covenant between authors and their readers. While he was speaking about the world-building part of the equation, the set up, I want to talk about the pay off. The ending is where readers find out if you make good on the promises of an interesting, moving, surprising story. If the pay off doesn’t pay out, then you have betrayed the covenant. You’ve lost the reader’s trust.

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